From a musician to another, as someone else replied, if you’re making your work available digitally then you immediately lose control over if people pay for it or not. The good thing is, the ones who want to support you will if you give them a way. But you just can’t coerce them anymore. Spotify and other similar platforms are getting the whole cake because of the convenience that they offer, that’s it. And I’m sure you know how little of that cake trickles down to you.

F1 Racing Championship - Theme of Suzuka

What would you recommend instead? I’m about to get one.

I just want everyone to work on Ardour

Ok Satan

Ah yes, to generate profit for the Linux™ shareholders.

Good luck lmao

Agreed, if anything developers are the reason games are playable!

The technology depicted doesn’t exist, and, in my mind, it goes fast as shit!

Why is that?

Est-ce vraiment un zapping si il inclus des passages non télévisés ?

Does it support word suggestions?

+1 for Typst

Honestly, latency/performance stuff. As in: how do VST synths ensure that they’ll synthesize in time to keep up with the audio buffer, depending on user hardware. I’m asking because I’ve seen/heard countless VST synths fail at this and sound like a clicky mess, and I feel like if I understood how it’s handled in code it would make more sense to me.

I can’t tell who’s giving the gun which makes this even better.

Only place they ever interacted with women.

If his max was $55 then he should have been ready to pay $55.

Happy Tree Friend lookin ass

Spectrogram*

That’s actually an accurate description of what is happening: an audio file turned into a 2d image with the x axis being time, the y axis being frequency and color being amplitude.

That’s Jason Bateman